“مرده خور”

Mordehkhor is an Iranian short film that explores moral ambiguity and human survival within a stark social landscape. The story follows a man living on the margins of society whose livelihood depends on reclaiming and reselling what others have discarded. Through his daily routine, the film paints a raw portrait of economic hardship and the invisible labor that sustains life at the edges of urban existence.

As the narrative unfolds, the protagonist is confronted with a situation that tests his conscience. What begins as an ordinary day gradually shifts into a moral dilemma, forcing him to weigh necessity against integrity. The tension is built not through dramatic spectacle but through atmosphere, silence, and close observation of behavior. The camera lingers on textures—abandoned objects, empty streets, worn clothing—symbolizing both decay and endurance.

Stylistically, the film aligns with the realist tradition of Iranian cinema, emphasizing minimal dialogue, grounded performances, and social commentary. Beneath its stark title, Mordehkhor becomes a reflection on dignity, desperation, and the blurred line between survival and exploitation. In its brief runtime, the film delivers a powerful meditation on poverty, humanity, and the ethical compromises shaped by circumstance.